Other Press releases

 

-  Abrahams,Charlotte. No Hang ups, The Guardian Weekend, 10.3.01, p.41-42

- Aletti, Vince.Richard Caldicott, Ariel Meyerowitz Gallery, The Village Voice, 22.1.02, Vol.XLV11, No.3

- Althoff, Bernhard. Verwirrspiel mit den Dingen des Alltags, BonnRundschau, 17.1.97

- Bauermeister, Volker. Wo sich Dinge zum Reim zusammenfinden, Badische Zeitung, 16.9.99 

- Bell, Jonathan. Fragmentation, Abstraction, Post- abstraction and De-abstraction, Exh. cat. Goss Gallery, Dallas, 2005 Bell, Jonathan.

- Rose-Tinted Receptacles, Wallpaper,Sept.1999, p.153-4

- Behrman, Pryle. 'Galerie f5,6' Art Projects, London Art Fair Guide Jan.2010, p.24 

- Bischoff, Dan. Painting with a camera, Hunterdon Museum of Art in Clinton, The Star-Ledger, Sunday, December 1, 2002, p.6 

- Bishop, Louise. Plastic Fantastic, Creative Review, May 1999, p.48-49 

- Boecker, Susanne. Kuhne Verwirrspiele mit einfachen Dingen, Kolner Stadt-Anzeiger, 18.2.97 

- Bosetti, Annette. Die Stilleben von heute, Aachener Nachrichten, 20.1.97

- Braxmaier, Rainer. Eine Kleine Auswahl aus verschiedensten Sparten, Badisches Tagblatt, 14.9.99 

- Bull, Stephen. Optic Nerve, Source 38, Spring 2004, p.35 

- Brehm, Margit. Stop Making Sense, Exh.Cat. Staatliche Kunsthalle Baden-Baden, 1999 

- Brown, Neil. Still, Houldsworth Fine Art, London. Independent on Sunday, 30.1.2000 

- Dannatt, Adrian. But if you try sometime you might just find, Exh.Cat. In and Out, Back and Forth, 578 Broadway NYC, 1992 

- Dannatt, Adrian. Seventeen, Exh. Cat. Seventeen, 500 Greenwich Street, New York 1992 

- Dannatt, Adrian. Soccer sideline, The Daily Telegraph, 2.2.94

- Dannatt, Adrian. Richard Caldicott-On a Series of Solid Physical Articles in the Shape of Ten Ordinary White Pages Marked by Black Print Text, Exh. Cat. Kunstmuseum Bonn, 1997 

- Denk, Andreas. Vom geheimnisvollen Leben der Yuccapalme, General-Anzeiger, 22.1.97 Dent, 

- Nick. Kitchen Sink, Not Only black+white, No.39 Oct.1999,p.14 

- Durden, Mark. Close Encounters, Creative Camera, Dec. 1994, p.43

- Dykstra, Jean. About the Cover, Photography in New York International, Jan/Feb 2002, cover image and p.4 

- Feeser, Mitarbeiterin Sigrid. Erlesen Abgehoben, Baden-Baden: Stilleben der Gegenwarts- Fotografie, Rheinpfalz, 24.9.99 Fiedler,

- Tanja.Tupper lebt, Berliner Morgenpost, 18.9.2000 

- Fischer, Joseph. Die Kunst der Stille, Kunst & Kultur, 9.99 

- Gernsbeck, Karl. Kompositionen und zufallige Schusse, Badisches Tagblatt, 13.9.99 

- Gronert, Stefan. On the Entity of Objects, The Context of the Works of Richard Caldicott and Christopher Muller, Exh. Cat. Kunstmuseum Bonn, 1997 

- Heise, Rudiger. Lichtzeichnungen, galerie f 5,6, Applaus, 4/2003, p.55 Hess,

- Hans-Eberhard. 'Richard Caldicott: Die Kunst des Minimalen', Photo International Mai/Juni 3/2007 p.36 – 43

- Horton, Derek. Seeing through modernism: transparency, absence, construction, Richard Caldicott Exh. Cat. Hamiltons, London, 2004 

- Horton, Derek. Beyond Recognition, Optic Nerve Exh. Cat. Wolsey Art Gallery, Christchurch Mansion, Ipswich, 2003 

- Horton, Derek. 'The Things They Are', Art of England, Issue 55 March 2009 p.58 - 61 

- Horton, Derek. 'Maximum difference: Repetition and transformation, precision and intuition, in the work of Richard Caldicott', Script' Exh. Cat. Galerie f5,6 Munich, 2007 

- Kemmerer, Michael. Lautlose Gegenwart, Fotografische Stillleben in dr Baden-Badener Kunsthalle, Rheim-Maim Echo,15.10.1999 

- Kilb, Andreas. Hausgotter sehen dich an, Frankfurter Allgemeine Zeitung, 20.9.2000, Nr. 219 

- Konches, Barbara. Fokussierte Stillleben, Die Lautlose Gegenwart, BNN, 13.9.1999 

- Kopp, Siegbert. Eine Schule des Sehens Lautlose Gegenwart:Fotografierte Stillleben in Baden- Baden, Sudkurier, 3.11.1999 

- Jger, Gottfried; Krauss, Rolf H.; 

- Reese, Beate. Concrete Photography/Konkrete Fotografie, Kerber Verlag, Bielefeld 2005

- Johnson,A. Richard Caldicott, The New York Times, Friday, February 1, 2002 p.25 

- Lillington, David. Foto 1, Time Out, No.1226 Feb 1994, p.39 

- Lebeck, Josef. Kunsthalle Baden-Baden: Lautlose Gegenwart, Klappe, 10.99 

- Lee, Vinny. A Womans Place, R+R Interiors, 2002, p.51 

- McKay, Ian. Original Copies, Art Monthly, Dec. 1991, p.24 

- MacDonald, Jo. Artists really have a Nerve, Evening Star, Ipswich, 5.4.03, p.13

- Maku. Nicole Stanners Galerie F 5; 6 Zeight Lichtzeichnungen Von Fotografen, go NR, 04/2003, p.82 

- Miyake, Yuki. From London, Designers Workshop, 1X, No.58, Dec 1992, p.111 

- M. K. Mehr Licht! Photographie, April 2003, p.86 

- Moore, Sue. How much for an original copy? Guardian, Saturday, October 20, 1990, p.5 

- Muller, Franz. Ein altes Thema in neuem Licht, Badisches Tagblatt, 27.8.99 

- Mueller, Jessica. La Soupe de Daguerre, Exh.Cat. Staatliche Kunsthalle Baden-Baden, 1999 Nab,

- Beate. Die Schonheit der banalen Dinge, Westfalischer Anziger Hamm, 28.3.2000 

- Pearce, Sara. Photographs, big and small Carl Solway Gallery, Enquirer, Cincinnati, Friday, January 27, 2006, p.8 

- Pesch, Martin. Um die Ecke Wartet die Op-art und grist, Taz, 19.2.97 

- Pfab, Rupert. Iritierende Wechselspiele: Zur Ausstellung Vom Dasein Der Gegenstande, Eikon, 21/22, p.85, 1997 

- Pfab, Rupert. Busy harvest.Exh.cat. Christopher Muller-Seeing Things, verlag fur moderne kunst Nurnberg, 2002, p.62

- Pinsent, Richard. The sensory eloquence of still-life photography, The Art Newspaper, No.92, May 1999, p.66 

- Pitman, Joanna. Cameras, Who Needs Them? The Times, 30 December, 2003, p.13 

- Pramann, Willi. Kunstverein: Stillleban in der zeitgenossischen Fotografie Tod behauptet seine Gegenwart, Westfalen-Dlatt, 4./5. 3 2000 

- Rexer, Lyle. The Occasion of an Unfolding, art on paper, March/April 2005, vol.9. No.4, p.64-67

- Rexer, Lyle. 'The Edge of Vision: The Rise of Abstraction in Photography' Aperture 2009 

- Romano, Gianni. Richard Caldicott, Zoom, May/June 1993, p.46-49 

- Rothman, Sabine. Fantastic Plastic, House & Garden(USA), October 2000, p.108 RRi. Mittlere Blende, Suddeutsche Zeitung Nr. 48, 4/2003, p.13 

- Schreier, Christoph. Photographic Colourism-Richard Caldicotts New Work, Exh. Cat. Hamiltons, 2002

- Schwendener, Martha. Richard Caldicott Ariel Meyerowitz Gallery, Artforum, March 2002, p.141-142 

- Seaward, Ellie. The Perfect Portfolio, Image, No:303, Association of Photographers, Dec 2000, p.4,5 

- Sexton, Elaine. Still Life and Stilled Lives, Ariel Meyerowitz, ARTnews, October 2005, p.170 

- Sheridan, Greg. Original Copies, Graphics World, Nov/Dec 1990, Number 88, p.17-20 

- Shuckburgh, Hannah. April Calendar, Art ReviewThe Gallery Guide, April 2002, p.4 

- Strecker, Manfred. Lautlose Gegenwart Bielefelds Kunstverein zeigt Stllleben zeitgenossischer Fotografie, Neue Westfalische, NR.54. Samstag.4.Marz.2000 T, l. Perfekte Asthetisierung:Promis und Tupperware schonerfotografiert als sie sind, Mailaichn Oderzeitung, 26.9.2000 

- Zivancevic, Nina. Letter from Paris, NY Arts,